The Yellow Wall Paper And The Story Of An Hour - 1601 Words

Janae Parham Instructor: Cherie Shields WR121 11/8/15 The Story of The Yellow Wallpaper Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society; and within a woman herself. Two short stories, â€Å"The Yellow Wall-paper and â€Å"The Story of an Hour, â€Å" focus on a woman’s plight near the turn of the 19th century. This era is a time in modern society where women were looked as second class citizens. The two main characters in these stories show similarities, but they are also different in the ways they deal with their problems and life. These two characters have commonalities and differences. Although the two characters are similar in some ways , the woman in the â€Å"The Story of an Hour† is a stronger character based on the two important criteria of rationality and freedom. In â€Å"The Yellow Wallpaper by Charlotte Perkins Gilman, the female protagonist is going through a rough time in her life. The narrator lived in a room with strange wallpaper. This odd wallpaper seems to symbolize the complexity and confusion in her life. In â€Å"The Story of an Hour† by Kate Chopin, theShow MoreRelatedThe Cult Of Domesticity By Charlotte Perkins Gilman And Kate Chopin Essay972 Words   |  4 Pagesand Kate Chopin write â€Å"The Yellow Wall-Paper† (1892) and â€Å"The Story of an Hour† (1894), respectively. Each story is an allegory that spotlights female oppression by patriarchal authority and the struggles of women to attain liberty from this oppression. Although these short stories share the same themes, they are told from different points of view. â€Å"The Yellow Wall-Paper† is a narrative told from the first person point of view. â€Å"The Story of an Hour† is a short story told from a third person pointRead MoreA n Atmosphere of Uncertainty of Confusion in The Yellow Wallpaper1063 Words   |  5 PagesBy looking at The Yellow Wallpaper, show how the writer achieves an atmosphere of uncertainty and curiosity. The author, Charlotte Perkins Gilman has invented a narrator who is mentally disabled to tell the story. Charlotte Perkins Gilman is talking about a woman who is ill and is slowly suffering in a room because we believe that she may be anorexic so she is put in the room with the yellow wall paper. We learn about her husband John who is a doctor. The woman can not seem to communicateRead MoreThe Period Of Realism And Naturalism868 Words   |  4 Pageshuman life than realism† (902). Authors that concentrated on realism and naturalism include Kate Chopin and Charlotte Perkins Gilman. Within their stories, it becomes clear on which issues they are bringing to life. As for Chopin and Gilman they discuss the harsh reality of women during their time in, â€Å"The Story of an Hour† and â€Å"The Yellow Wall-paper.† Since the dawn of mankind, women are traditionally recognized as the less dominant sex. History has shown that women are against this notion andRead More Schizophrenia in The Yellow Wallpaper by Charlotte Perkins Gilman973 Words   |  4 PagesSchizophrenia in  The Yellow Wallpaper      Ã‚  Ã‚   Charlotte Perkins Gilman’s The Yellow Wall-Paper, does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. The Yellow Wall-Paper, written in first-personRead MoreThe Yellow Wall Paper By Charlotte Perkins Gilman1353 Words   |  6 PagesGilman’s story, â€Å"The Yellow Wall-Paper,† which is set in the 19th century, the narrator suffers from what is now identified as Postpartum depression, after the birth of her child. The narrator’s husband, John, who is a doctor, suggest that she gets some rest, and places her in a nursery with walls that contain yellow wallpaper. Over the course of the story, the narrator’s condition progresses and she begins to develop paranoia about a woman who is trapped in the yellow wallpaper. The story gives someRead MoreThe Yellow Wallpaper Literary Analysis 1486 Words   |  6 PagesThe setting of these two stories emphasize, on visually showing us how the main characters are based around trying to find freedom despite the physical, mental and emotional effects of living in confinement. While on the other hand, dealing with Psychology’s ugly present day behavior showing dystopia of societies views of women during the time period they lived. Comparatively, the relationships between the two main characters in the stories portray women’s yearning for freedom with different typesRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman940 Words   |  4 PagesIn the short story â€Å"The Yellow Wallpaper† written by Charlotte Perkins Gilman, we never learn the narrators’ name, which begs the question could Gilman be narrating her own life. The tale was written in the late eighteen hundreds as a private diary of sorts and is a lugubrious narration about a woman who has quite possibly went mad. The narrator’s husband John and her brother both respected physician diagnosis her with nervous depression and at the time, a Victorian era of time, the cure for losingRead MoreAnnotated Bibliography Of The Yellow Wallpaper1086 Words   |  5 PagesCharlotte Perkins Gilman’s â€Å"The Yellow Wall-Paper† and Kate Chopin’s â€Å"The Story of an Hour†. Journal of History Culture an d Art Research, vol. 2, no. 2, 1 Jan. 2013, pp. 221-234, Database: MLA International Bibliography -- Publications. kutaksam.karabuk.edu.tr/index.php. Accessed 18 Nov. 2017. The short story written by Fahimeh Q. Basenji, he shares in his writings about â€Å"The Yellow Wall-Paper and Story of an Hour†. In the journal, he discusses how the two stories are similar but have differentRead More Essay on Appearance vs Reality in Yellow Wallpaper, Story of an Hour, and Lottery1166 Words   |  5 PagesReality in Yellow Wallpaper, Story of an Hour, and Lottery  Ã‚     Ã‚  Ã‚   Authors often write literature to have an emotional impact on the reader. These effects vary from work to work, and they may include happiness, sorrow, anger, or shock. Even authors who try to achieve the same effect may go about it in very different ways. This paper discusses three short stories written to shock the reader, but each uses a different method to achieve its effect. While Kate Chopins The Story of an Hour uses aRead MoreThe Story Of An Hour And Charlotte Perkins Gilman s The Yellow Wallpaper1422 Words   |  6 PagesIn Kate Chopin’s Story of an Hour and Charlotte Perkins Gilman’s The Yellow Wallpaper we see two marriages that are shaped by the hands of society at large and the husbands. Marriage in the upper classes in the late 1800s to the turn-of-the-century was primarily done to increase one party’s social standing, and as such divorce was generally severely frowned upon. Divorce, beginning at the wife’s behest at least, was unprecedented until the latter half of the 1800s. Both marriages center on women

I Know Why The Caged Bird Sings - 1445 Words

Presentation I Know Why the Caged Bird Sings is a self-portraying record of Maya Angelou that shows how cherish for writing and having a solid character can assume a huge part in conquering bigotry and misery. Throughout the story, it is clear that Maya changes from being a setback of bigotry to end up distinctly a young lady with self-nobility and character that helps her to conquer partiality. The setting of I Know Why the Caged Bird Sings concentrates on the issues connected with bigotry that was common in the southern states. Bigot persecution is a typical subject in the book that is depicted by all the real characters; actually, the various topics in the book are firmly identified with bigotry, personality and isolation. What s more, the style and sort, and the structure of this scholarly work make huge commitments towards its topical advancement, which concentrate on imperviousness to prejudice, the noteworthiness of the family, self-personality and definition and freedom. (Walker 95) conte nds that I Know Why the Caged Bird Sings is described by topical solidarity, which is accomplished utilizing the structure received as a part of the content that takes even more a topical frame instead of an ordered shape. What s more, Angelou figured out how to underline on the widespread thoughts in her artistic work independent of its occasional quality. In I Know Why the Caged Bird Sings, Maya Angelou utilized the significant characters of the book to encourage its topicalShow MoreRelatedI Know Why The Caged Bird Sings1482 Words   |  6 Pages Maya Angelou tells of her life experiences and struggles in her book â€Å"I Know Why the Caged Bird Sings† that gives us insight about Maya’s life as a young black girl growing up in a time of racism. The novel discusses various forms of oppression that she had to face as well cope with them. Robert A. Gross wrote an analysis for Newsweek about the book and claimed that Angelou’s book is not only an intere sting story of her own experience, but also a portrayal of a Southern black communityRead MoreI Know Why The Caged Bird Sings1555 Words   |  7 Pages28th of May 2014, she was an Activist, acclaimed American poet, storyteller and autobiographer. However, all her accomplishments were born out of abuse, violence, neglect and pain, that she wrote about in her autobiographical novel, I know why the caged bird sings which was published in 1969. In the book, she wrote not only about the conflicts that plagued her for much of her life but also how the role they played in her life. Particular problem areas discussed include, the difficulties she experiencedRead MoreI Know Why The Caged Bird Sings948 Words   |  4 PagesAngelou is a poet and award-winning author known for her acclaimed memoir I Know Why the Caged Bird Sings and her many poetry and essay collections. So many things happen to Maya Angelou but she was amazing and a brave woman too not everyone would be same after what happe n to her. Maya Angelou has become the most amazing singer, dancer, actress, poet and writer she is even an author of autobiography â€Å"I Know Why the Caged Bird Sings† a book that tells the things that setback and helped Maya to be who sheRead MoreI Know Why The Caged Bird Sings1126 Words   |  5 PagesMaya Angelou was a gifted woman with one of the greatest voices of African American literature. Previously known as Marguerite Johnson, she was one of the most important women of our time. She was best known for her autobiography I Know Why the Caged Bird Sings. Not only was Maya Angelou able to overcome all the racial discriminations and interferences that she endured growing up, she was also able to prove to many people what a successful African American author and activist she was. She was a womanRead MoreI Know Why The Caged Bird Sings2695 Words   |  11 Pages I Know Why the Caged Bird Sings According to Willard Scott, â€Å"Positive Feelings come from being honest about yourself and accepting your personality, and physical characteristics, warts and all; and, from belonging to a family that accepts you without question.† Maya Angelou illustrates this in I Know Why the Caged Bird Sings, an autobiography on herself. It illustrates Maya Angelou’s struggles of accepting herself because of some cruel experiences in her life. Maya was an African American girlRead MoreI Know Why The Caged Bird Sings Essay1097 Words   |  5 Pagesministry. She wrought a best-selling auto biography â€Å"I know why the caged bird sings†. Trough-out her legacy she continuously created poems promoting civil rights from her personal and social views. â€Å"still I rise â€Å"is one of her earlier working but is still consider one of the greatest poems on discussing the social views at the time of tis publishing and still hold value to todays current events. This text wil l be Analysing the poem â€Å"still I rise† But first discussing the experiences that Maya AngelouRead MoreI Know Why The Caged Bird Sings2495 Words   |  10 PagesIn the memoir, I Know Why the Caged Bird Sings, Maya Angelou presents the theme: coming of age. This theme is shown throughout the book many times, especially when something big happens to her, changing the way that she reacts to things and the way that she sees things. Another way that this theme is shown throughout the book is the way that she words things in the beginning, vs the way that she words things in the end. The change in her writing style and her language shows this. Not only was sheRead MoreEssay on I Know Why The Caged Bird Sings1319 Words   |  6 Pagesstreet cars 5) Key Statements About the Character amp;nbsp;a) â€Å"Ritie, don’t worry ‘cause you ain’t pretty. Plenty of pretty women I seen digging ditches or worse. You smart. I swear to God, I rather you have a good mind than a cute behind.† (p.56) amp;nbsp;b) â€Å"In those moments I decided that although Baily loved me he couldn’t help. †¦ I knew that because I loved him so much I could never hurt him† (p. 73) 6) Key Actions amp;nbsp;a) Father comes to Stamps and takes them to their mother amp;nbsp;b) MovesRead MoreEssay on I Know Why the Caged Bird Sings1048 Words   |  5 Pagescontribute to the way she grows up and the person she becomes. Despite some of her tragic circumstances, she learns a lot growing up, mainly because of the African-American women in her life who teach her all different life lessons. In I Know Why the Caged Bird Sings, Marguerite gets to absorb teachings from her mother (Vivian), Mrs. Bertha Flowers, and her grandmother (Momma). These women allow Marguerite to learn and grow as an African-American female, all while paving her own way. MargueriteRead More I Know Why The Caged Bird Sings Essay730 Words   |  3 Pages Three primary problems â€Å"cage† Maya Angelou in her autobiographical book I Know why the Caged Bird Sings. The most pressing of these issues was probably the fact that Maya lived in the highly segregated south. Another factor of her imprisonment was because Maya, also known as Marguerite, was a social outcast, with very few friends other then relatives. Finally, the main character was entrapped because of her unusual sexual exposure. Over all, the highly segregated life she led, her exclusion socially

You Suck A Love Story Chapter 31 Free Essays

Chapter Thirty-one Being the Chronicles of Abby Normal: Not Unlike the Toaster, I Control the Darkness So I slept a little that day, and talked to my sweet love-ninja, Foo, a couple of times on the phone, then he came over and we left Jared with some blood for Lord Flood and the Countess when they awoke, and motored to the loft. It took like an hour to clean up all the broken glass and ash and stuff from the night before. We had just finished cleaning and counting the money and making out and whatnot when the alarm went off on the Countess’s watch. We will write a custom essay sample on You Suck: A Love Story Chapter 31 or any similar topic only for you Order Now And I was like, â€Å"Dude, I’m not ready.† And he was all, â€Å"Dude, you are more ready than anyone I’ve ever known.† And I was all, â€Å"OMG, I am so going to sex you to death if we live through this.† And then he was all bashful and pretended to be doing something technical so we were ready. Then, like an hour after sundown, I heard them coming. I was at the kitchen counter when the security door downstairs opened, and when I turned around they were just, like there. Lord Flood called them the Animals, but now they were kind of the roadkill. And I like touched the snap on my UV jacket, just to make sure it was there. So I was all, â€Å"Hey, vampyre scum.† And the formerly black and now gray one, who was like their leader, was all up in my grille, like, â€Å"We need the money, where is the money?† And I was like, â€Å"Step off, undead-tard. There’s no money.† And he was like, â€Å"Don’t fuck with us. Flood and the redhead took like six hundred grand from my apartment.† And I was all, â€Å"Actually, its like five hundred and eighty-three thousand eight hundred and fifty-eight.† And he was all, â€Å"Give it!† And all seven of them were like gathering around me – even the born-again one the Countess had thrashed – like they were going to do the massive gang-suck on me, so I had my finger on my light button all the time, in case I needed to flash-fry the motherfuckers. But I stayed chilly and I was like, â€Å"Are you high?† And he was all, â€Å"No, I’m not high. No one is high.† And they all started whining and whatnot, all, â€Å"We can’t even take a bong hit. We can’t drink a beer. Our systems won’t take it. Being sober sucks. We are useless undead stoners.† So I was all, â€Å"Step back and behold, bi-atches.† And I’m all taking a bottle of Stoli out of the freezer, and mixing in a glass with some of the blood from the pouches, just like the ones we left for the Countess and Lord Flood, and they’re all drooling when they see the blood, so I was thinking, Dont’ make me fry you. But then I give the glass to the gray vamp, and he’s all, â€Å"Sweet.† And the others are like, â€Å"Me, me, me.† So I’m like mixing Bloody Marys all around, and the greasy hippyish one is like, â€Å"Can we dunk pot cookies in this?† And I’m like, â€Å"Of course, stoner vamp.† And they’re all, â€Å"You are a goddess. And we are not worthy. And oh please, may we have some more?† Until they started to drop. So like two minutes later there’s like this big pile of passed-out vampyres in the kitchen, and I’m all, â€Å"Yo, Foo, I got your shit ready.† And Foo comes out of the bedroom, all cute, holding his UV floodlight like he’s going to save me, then sees that they are all out cold and gives me a big kiss and is like, â€Å"You rock.† And I’m like, â€Å"You have no idea, my Manga-haired love toy.† And he was like, â€Å"The sedative in the blood, blah, blah, four hours, blah, blah, nerdspeak, geektalk – â€Å" And I’m like, â€Å"Whateva, studmumn. Handle it.† So it took like two hours for Foo to do all his medical stuff with the Animals, taking some blood and doing various medical nerdism stuff to it, then putting it back in, but finally he was done and I called Jared to tell him that we were on our way to get Lord Flood and the Countess. So I like made the other call to make sure everything was all in order and whatnot, and Foo was all, â€Å"Are you sure this is what you want to do?† And I was all, â€Å"Foo, theirs is the greatest love of all time. It’s the only thing to do.† And he was all, â€Å"Okay, as long as you’re sure. Because we can do them the same as we did the others.† And I was all, â€Å"No, that won’t work. They have to be together. And you don’t have to live at home anymore. We’ll have a completely sweet love lair.† So we did it. Blue watched from the alley across the street as the Animals came out the security door, empty-handed, and stumbled into the street. She knew she should have gone herself, but that whole getting-burned-up thing had taught her that perhaps it was better to delegate. That they didn’t have her money was bad enough, but that they didn’t have her money and heat was coming off of them was disastrous. â€Å"Those dumbfucks can’t get anything right,† she said to herself. â€Å"I’m going to have to kill them all over again.† â€Å"I don’t think so,† said a voice from behind her. She whipped around, leading with her long fingernails in a swipe that would have taken off half a man’s face. Elijah caught her hand. He’d found another tracksuit, this one powder blue. â€Å"It’s time to let it go. The genie must go back in the bottle, I’m afraid.† â€Å"Let me go, I need to go get my money.† â€Å"No, my dear, you don’t want to do that. The residents of that loft have recently developed a very unpleasant fashion sense.† â€Å"You’re fucking with my income, paleface.† â€Å"You don’t need to worry about that anymore.† â€Å"Meaning what?† â€Å"It ends here. Come with me, my dear.† â€Å"You want me to come with you? I don’t even know you.† â€Å"Yes, but we share a special relationship.† â€Å"Special? You beat my face into the hood of a Mercedes.† â€Å"Well, yes. Sorry. To the innocent my behavior can sometimes be distasteful.† â€Å"Yeah? Innocent, I’ve fucked thousands of guys.† â€Å"Yes, well, I’ve killed enough to fill a city.† Blue shrugged. â€Å"Okay, you win.† â€Å"Revenge is a dish best served cold anyway, don’t you think?† â€Å"Or not at all,† said a male voice behind Elijah. Elijah and Blue turned. Three of them stood there in their long coats, looking like sculptures, looking eternal, like they could wait forever. â€Å"Can just anyone sneak up on me now?† said Blue. â€Å"Time to go, Elijah,† said the African woman. â€Å"None of you would be here if it weren’t for me,† Elijah said. â€Å"Yes, and we would have been hunted down and killed a long time ago if we hadn’t adhered to your rules.† â€Å"Ah, my rules,† Elijah said, looking down now. â€Å"How many left to clean?† Elijah looked across the street to the loft windows, then at Blue. She raised an eyebrow, smiled a little. â€Å"She’s the only one left.† He lied. â€Å"Then finish it.† â€Å"I’d rather not,† Elijah said. The Emperor of San Francisco wept for his city. He had done what he could, called the police, alerted the newspapers, even tried to take to battle himself, but by the time he’d gathered the courage to return to the Marina Safeway, it had been finished, and he could do nothing more than speculate to the uniformed police officers how the window had been broken and why the store was empty. They’d tried to track down the night crew, but none of them seemed to be home. And his city was plagued by vampires. Now the Emperor wept and consoled the troops, rubbing Bummer behind the ears and gently patting Lazarus on the ribs as he lay sleeping on the dock. The fog was coming slow off the Bay tonight, not windblown like it was so often here. He heard footsteps before he saw them, then there were five of them. The fiend, the three in the long coats he had seen come in the night before, and a blond woman in a blue party dress. They walked past, and only the fiend turned and paused. The Emperor held Bummer tight, afraid that he would burst into one of his barking fits and all would be lost. â€Å"Old man,† said Elijah. â€Å"The City is yours again.† Then he joined the others at the end of the dock. The Emperor could see their motor yacht waiting outside the breakwater – it had to be two hundred feet long, far too big to enter the marina. â€Å"Very well, then, shall we go?† said Elijah. â€Å"Can I get a coat like that?† asked Blue, nodding toward the tall blond man. The blond man said, â€Å"You’ll get one when you learn the secret handshake and get your decoder ring.† Blue looked at Elijah. â€Å"Is he fuckin’ with me?† â€Å"Yes,† said Elijah. He offered her his arm. She took it, and stepped down into the longboat. The Emperor watched the vampires disappear into the fog. Rivera had six uniforms in SWAT gear with a battering ram ready to take down the door, so he and Cavuto were more than somewhat surprised when it opened almost as soon as they knocked. A shirtless, sleepy-looking Chinese guy with spiky hair stood in the doorway. â€Å"Yes, can I help you?† Rivera held up the warrant. â€Å"I have a warrant to search this apartment.† † ‘Kay,† said the Chinese guy. â€Å"Abby, cops are here.† The skinny broken clown girl appeared at the top of the stairs in a kimono. â€Å"Hey, cops,† said Abby Normal. â€Å"What are you doing here?† Rivera said. â€Å"I live here, cop.† She popped the p. Rivera hated that. â€Å"Actually, it’s my apartment,† said the Chinese guy. â€Å"Do you need to see ID?† â€Å"Yeah, that would be nice, kid,† said Cavuto. He whipped the kid around and marched him up the stairs as the kid read the warrant. â€Å"Do not bruise the Foo, cop,† said the broken clown girl. Rivera turned to the uniforms and shrugged apologetically. â€Å"Sorry, guys, I guess we got this one.† They shuffled away. â€Å"What are you guys looking for?† asked the Chinese kid. â€Å"Maybe we could speed this up.† â€Å"We’re looking for Thomas Flood and Jody Stroud. He’s the one on the lease for this apartment and the one down the street.† â€Å"Oh, yeah. I’m subletting,† said the Chinese kid. â€Å"Steven Wong,† Cavuto read off the kid’s license. Rivera was feeling very, very bad about this. They had found one more body in the Mission with the blood-loss-and-broken-neck MO – the guy had been naked, supposedly someone had stolen his powder-blue tracksuit, so they logged it as robbery, but then, a week ago, the killings stopped. That didn’t mean it was over. He’d made the mistake of thinking it was over with these two before. Rivera had finally gotten the Christian kid at the Safeway to file charges on the redhead for assault. After a long talk with the other stoners, they’d gotten the Flood kid on the arrest warrant for conspiracy. They’d also implied that somehow Flood and the redhead had gotten their share of the old vampire’s money. Maybe they had left town. If they had, well, good, but he still had a slew of unsolved murders. â€Å"You’re subletting from Thomas Flood?† â€Å"I never met him, actually,† said Steve. â€Å"We arranged it through the rental agent.† â€Å"Yeah, so step off, cop,† said the skinny girl. Rivera looked around the apartment. There was no need to tear the place apart. Obviously everything in here was new. Mostly decorated in Pier 1 Imports cheap wicker motif and some punky Urban Outfitter flair, which he guessed was the input of the creepy little girl. The bronze sculptures were out of character, though. A life-sized nude of a young woman, a large snapping turtle, and a life-sized bronze of a couple posed as if in Rodin’s The Kiss. â€Å"These must have been expensive,† Rivera said. â€Å"Not really. I know the artists,† the Chinese kid said. â€Å"Some biker guys down the street.† â€Å"Foo’s in biotech,† said the broken clown girl. â€Å"He makes like stupid money, cop.† â€Å"Yeah, that’s swell,† said Rivera. He’d watched this neighborhood turn from a rust slum of repair shops and the odd ethnic restaurant to a gentrified hive of hipster professionals in remodeled lofts during the dot-com boom, and it had never turned back. The whole neighborhood was full of kids who spent the equivalent of Rivera’s annual salary on a car they wouldn’t drive a dozen times a year. This kid apparently was just another one. â€Å"So you don’t know these people?† Rivera said, pointing to the warrant. Steven Wong shook his head. â€Å"Sorry, I’ve never met them. I send my rent directly to the rental agency. You might check with them.† â€Å"Okay then. Sorry to bother you.† â€Å"Okay then?† Cavuto said. â€Å"That’s it?† â€Å"They’re not here, Nick. These two don’t know where they are.† â€Å"But, that’s not enough.† â€Å"Yeah? You want to spend some time talking to Allison here, see what you can find out?† Rivera nodded toward the broken clown girl. Cavuto had tried to keep someone between himself and the skinny girl since they’d come upstairs, but now he looked at her full on and shuddered. â€Å"No, I guess that’s it.† He turned and lumbered down the steps. â€Å"You need to check your girlfriend’s ID,† Rivera said to Steve. â€Å"You may not be old enough for her.† Then he turned and left as well. â€Å"Chill, Foo,† Abby said. â€Å"They’re gone. They won’t be back. Let’s go shopping.† â€Å"Abby, are you sure about this? It seems cruel.† He patted the life-sized sculpture of the couple embraced in a kiss. â€Å"I heard the Countess say once that it was like being in a dream. They just sort of float, all peaceful and dreamy. The main thing is they’re together.† â€Å"You’re sure?† â€Å"Theirs is the greatest love of all time. It would be wrong for them to be apart, Foo.† â€Å"Well, I think we should just change them back. Now that we know the process works.† â€Å"Someday.† â€Å"Now.† â€Å"The Countess doesn’t want that.† â€Å"It’s wrong.† â€Å"How can it be wrong? It’s my idea, and I am their dedicated minion and whatnot. I control the dark.† She ran and jumped into his arms. â€Å"I guess you do,† he said. â€Å"Okay, let’s go shopping for stuff for our most fly apartment.† William arrived back at the loft just after dark, feeling very much rested and well fed from his hospital stay, but craving a sip or two of the good stuff, and terribly worried about Chet. He let himself into the stairway with his key, but when he rang the bell, no one answered, so he sat down to wait for the redhead and that guy to bring his bottle. He hadn’t been there ten minutes before he heard the meowing at the door, and his heart leapt as he opened the outer door to find Chet, his red sweater still intact, purring outside. â€Å"Come on, boy. I missed you, buddy.† William scooped up his kitty and carried him into the stairwell. As soon as the door closed, Chet, the huge shaved vampire cat, was upon him. How to cite You Suck: A Love Story Chapter 31, Essay examples